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Humanoid figure with really giant stature, comparable to the size of celestial stars. Its skin and shimmy eyes are purple, while its lips are blue. Its hands converge in its front with palms facing upwards, offering a three-dimensional structure of black and purple lines, representing the gift of the divine, to the viewer. In the position of the third eye is encrusted a smaller skull with blue horns and on its forehead a gyroscope that houses a spiral galaxy. A Taj Mahal-like construction is resting on its head and its shoulders emanate curvy shapes in shades of purple, blue and red. The being is supported with its forearms on the planet Earth and the background of the image is composed of nebulae and other planets.

Self-taught, Rodrigo Miranda started to draw since an early age. Surrounded by the city's graffitis, it did not took long for him to spread his tags and bombs across the neighborhood until his technique evolved to complex wildstyle letters and murals. Rodrigo understands art as a tool to transform the environment in which he lives.

Nowadays his techniques diversify between spray, stencil, brush, roller, latex, pencil, and woodcuts. When he is not expressing himself on the city walls, he is working with different styles of art and digital drawings. In addition to the panels, he also paints canvas, designs iconic stages for psychedelic trance festivals, works with scenography, collaborates with a skate brand developing his own clothing collection, and is involved in multi-media projects

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Autodidata, Rodrigo Miranda começou a desenhar desde cedo. Cercado pelos grafites da cidade, não demorou muito para que ele espalhasse suas tags e bombs pelo bairro até que sua técnica evoluiu para complexas cartas e murais wildstyle. Rodrigo entende a arte como uma ferramenta para transformar o ambiente em que vive.

Hoje em dia suas técnicas se diversificam entre spray, estêncil, pincel, rolo, látex, lápis e xilogravura. Quando ele não está se expressando nas paredes da cidade, ele está trabalhando com diferentes estilos de arte e desenhos digitais. Além dos painéis, ele também pinta tela, projeta palcos icônicos para festivais de Psytrance, trabalha com cenografia, colabora com uma marca de skate desenvolvendo sua própria coleção de roupas e está envolvido em projetos multimídia

Oracles exist since time immemorial. It was an important aspect of the Greek religion and also very popular in the Scandinavian mythology. In China, the Shang Dynasty used the I Ching for fortune telling and many other cultures around the world have a sort of Oracle for those who are seeking answers. 

Oracles are the manifestation of a Deity who offers the gift of divination specially in times of need. They are also the sacred soil where the divine presence is always noticed, as well as the intermediary who channelizes the insightful councils.

I consider art a kind of Oracle, for it is the connection between man and divinity.

The Oracle

Figura humanoide com estatura surrealmente gigante, comparável ao tamanho dos astros celestes. Sua pele e seus olhos reluzentes são da cor roxo e seus lábios são azuis. Suas mãos convergem à sua frente com as palmas voltadas para cima, oferecendo uma estrutura tridimensional de linhas pretas e roxas, representando o dom do divino, ao espectador. Na posição do terceiro olho está incrustado um crânio menor com chifres azuis e em sua testa um giroscópio que abriga uma galáxia espiral. Uma construção semelhante ao Taj Mahal se encontra apoiada em sua cabeça e seus ombros emanam formas curvilíneas nas tonalidades de roxo, azul e vermelho. O ser se encontra apoiado com seus antebraços no planeta Terra e o fundo da imagem é composto por nebulosas e outros planetas.

Os oráculos existem desde tempos imemoriais. Era um aspecto importante da religião grega e também muito popular na mitologia escandinava. Na China, a Dinastia Shang usou o I Ching para contar fortunas e muitas outras culturas ao redor do mundo têm uma espécie de Oráculo para aqueles que estão buscando respostas. 

Os oráculos são a manifestação de uma Divindade que oferece o dom da adivinhação especialmente em tempos de necessidade. São também o solo sagrado onde a presença divina é sempre notada, assim como o intermediário que canaliza os conselhos perspicazes.

Eu considero a arte uma espécie de Oráculo, pois é a conexão entre o homem e a divindade.


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The Oracle

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